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Directed by - Carl Hunter
rating - 6,6 / 10
synopsis - A detective fantasy / family drama where a love of words helps a father reconnect with a missing son
Release Date - 2018
Stars - Sam Riley, Jenny Agutter
1198 votes
Yeeeeeeeeeeeeeah this is gonna be something special. RZ is 100% walking home with the golden shiny guy after this. My favorite Scene in the Movie Love It When Tony Stands up for Don then they leave together both Both these Actors did a wonderful job bringing these characters to life well deserve best picture.
You should have a game board, 100 letter tiles, a letter bag, and four racks. Before the game begins, all players should agree upon the dictionary that they will use, in case of a challenge. All words labeled as a part of speech (including those listed of foreign origin, and as archaic, obsolete, colloquial, slang, etc. ) are permitted with the exception of the following: words always capitalized, abbreviations, prefixes and suffixes standing alone, words requiring a hyphen or an apostrophe. Place all letters in the pouch, or facedown beside the board, and mix them up. Draw for first play. The player with the letter closest to "A" plays first. A blank tile beats any letter. Return the letters to the pool and remix. All players draw seven new letters and place them on their racks. The first player combines two or more of his or her letters to form a word and places it on the board to read either across or down with one letter on the center square. Diagonal words are not allowed. Complete your turn by counting and announcing your score for that turn. Then draw as many new letters as you played; always keep seven letters on your rack, as long as there are enough tiles left in the bag. Play passes to the left. The second player, and then each in turn, adds one or more letters to those already played to form new words. All letters played on a turn must be placed in one row across or down the board, to form at least one complete word. If, at the same time, they touch others letters in adjacent rows, those must also form complete words, crossword fashion, with all such letters. The player gets full credit for all words formed or modified on his or her turn. New words may be formed by: Adding one or more letters to a word or letters already on the board. Placing a word at right angles to a word already on the board. The new word must use one of the letters already on the board or must add a letter to it. (See Turns 2, 3 and 4 below. ) Placing a complete word parallel to a word already played so that adjacent letters also form complete words. (See Turn 5 in the Scoring Examples section below. ) No tile may be shifted or replaced after it has been played and scored. Blanks: The two blank tiles may be used as any letters. When playing a blank, you must state which letter it represents. It remains that letter for the rest of the game. You may use a turn to exchange all, some, or none of the letters. To do this, place your discarded letter(s) facedown. Draw the same number of letters from the pool, then mix your discarded letter(s) into the pool. This ends your turn. Any play may be challenged before the next player starts a turn. If the play challenged is unacceptable, the challenged player takes back his or her tiles and loses that turn. If the play challenged is acceptable, the challenger loses his or her next turn. Consult the dictionary for challenges only. All words made in one play are challenged simultaneously. If any word is unacceptable, then the entire play is unacceptable. Only one turn is lost on any challenge. The game ends when all letters have been drawn and one player uses his or her last letter; or when all possible plays have been made. Use a score pad or piece of paper to keep a tally of each player's score, entering it after each turn. The score value of each letter is indicated by a number at the bottom of the tile. The score value of a blank is zero. The score for each turn is the sum of the letter values in each word(s) formed or modified on that turn, plus the additional points obtained from placing letters on Premium Squares. Premium Letter Squares: A light blue square doubles the score of a letter placed on it; a dark blue square triples the letter score. Premium Word Squares: The score for an entire word is doubled when one of its letters is placed on a pink square: it is tripled when one of its letters is placed on a red square. Include premiums for double or triple letter values, if any, before doubling or tripling the word score. If a word is formed that covers two premium word squares, the score is doubled and then re-doubled (4 times the letter count), or tripled and then re-tripled (9 times the letter count). NOTE: the center square is a pink square, which doubles the score for the first word. Letter and word premiums count only on the turn in which they are played. On later turns, letters already played on premium squares count at face value. When a blank tile is played on a pink or red square, the value of the word is doubled or tripled, even though the blank itself has no score value. When two or more words are formed in the same play, each is scored. The common letter is counted (with full premium value, if any) for each word. (See Turns 3, 4 and 5 in the Scoring Examples section. ) BINGO! If you play seven tiles on a turn, it's a Bingo. You score a premium of 50 points after totaling your score for the turn. Unplayed Letters: When the game ends, each player's score is reduced by the sum of his or her unplayed letters. In addition, if a player has used all of his or her letters, the sum of the other players' unplayed letters is added to that player's score. The player with the highest final score wins the game. In case of a tie, the player with the highest score before adding or deducting unplayed letters wins. Scoring Examples In the following, the words added on five successive turns are shown in bold type. The scores shown are the correct scores if the letter R is placed on the center square. In Turn 1, count HORN: in Turn 2, FARM; in Turn 3, PASTE and FARMS; in Turn 4, MOB, NOT and BE; in Turn 5, BIT, PI and AT.
Sometimes always never watch full length episode. Sometimes always never watch full length song. The part where the little girl is looking at her teacher makes me laugh at loud so hard. Sometimes always never watch full length season. Sometimes always never watch full length hair. This has happened to me 3 times now and I think that it is wrong. (Official Scrabble rules state it is wrong but I am not sure on the rules for words with friends) What is happening is that I am playing a word where a tile lands on a triple word square. My word also creates one or two new words by being placed next to an adjoining word. Scrabble Rules state that all words should be tripled by on words with friends I am only receiving triple points for one new word and regular points for the one or two new words created by touching previous tiles. Why is this happening?? Example: Today I played WAD and it touched to create PA and ID. I should have received 7points x 3 for WAD and 5points x 3 for PA and 3points x 3 for ID total points = 45 I however only received 35 points which is 21 for WAD (correct) and 7 points for each other word. It tripled my new letters (A & D) but did not triple the P & I asked 8 years ago in Disputes by anonymous 1 Answer You only get the TW for words directly touching the TW not other words formed when attaching to them. For instance if the W in Wad was on the TW then only Wad would be tripled and the other two would only count their regular points. answered Word Freak ( 189, 320 points) Related questions anonymous.
I'll see it for the fact they used A Little More Love by Olivia Newton-John and oh, yeah. Julianne Moore. How the hell is Morena Baccarin still so incredibly beautiful? She doesn't look like she has aged a day since filming Firefly. James Cordon: We want you to write something right now! Jack: plays “Something”. Sometimes always never watch full length youtube. Okay, so the plot is an idiot teenager (my age) decides to have sex without proper protection, which even if she couldn't get it, the responsible thing would be to stop. Sex isn't a need people. Then decides not having a baby is worth the risk of sleeping on the street and from the looks, nearly getting raped. In Pennsylvania you must have parental consent for abortions, which makes a lot of fucking sense if you think about it. Young girls at that age tend to try to hide things from their parents over actually telling them. I know I do, did, whatever. Letting anyone under the age of 18 have an abortion just allows young girls to hide shit from their parent and potentially hide bad things that lead to such baby. Many girls want to hide rape, ext from their moms and dads. This would allow her to get rid of the evidence and not have to speak about it. Also, if you live under their roof, you are going to have to tell them anyways in case something bad happens. No mom or dad wants to learn their daughter died from an abortion. Doing this could also have very devastating consequences on physical and mental health. If you are too young (say 13-14) to know your medical history, you may get hurt. It's just a dumb idea, seriously. Wrap up and take birth control or don't have sex at all, fucking seriously.
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I love that theres a little mix song. I can't believe that, that little horror grew up to do this, I really can't. This maybe a romcom I can actually get behind, in that Freeman is just hangdog and character actor enough to deserve a Morena Baccarin. Sometimes Always Never Watch Full lengths. Me: No Im never really emotional during movies Five feet apart: Im about to end this whole womans career. Le agradezco mucho el tiempo que dedica para los vídeos, estoy empezando con mis clases de ingles, siento q es difícil para mi, pero con usted me parece que me lo facilita, muchas gracias. Los Angeles-based mobile gaming company Scopely unveiled its newest game, Scrabble GO, now available for pre-order on Android and coming to iOS later this year. Working with Hasbro in North America and Mattel globally, the launch of Scopely’s new Scrabble game was two years in the making. Building on the success Scopely has found with another Hasbro property — Yahtzee — Scopely first reached out to the gaming company to see if they’d be open to working with the relatively young gaming firm on a new title. Then Scopely had to talk to Mattel and current rights-holder Electronic Arts about moving players of the game over to Scrabble’s new home. Under the auspices of Electronic Arts, which had developed the earlier versions of Scrabble for mobile phones, hundreds of thousands of users had signed up to play the popular word game. “We negotiated a deal and a partnership with EA, ” says Scopely chief revenue officer, Tim O’Brien. “We wanted the players in the core scrabble game that EA has today and come over. ” The deal represents a new relationship between Scopely and Mattel and reflects the game development studio’s increasingly international footprint. “We are always looking for new ways for consumers to experience the Mattel brands they know and love, and digital gaming is a key part of that strategy, ” said Janet Hsu, chief franchise officer at Mattel. “Scrabble is a beloved and iconic game with a dedicated fan following. In partnership with Scopely, we look forward to bringing a best-in-class gameplay experience to an international audience. ” Players from the previous versions of Scrabble for mobile will be able to move over to Scopely’s new gaming platform through the partnership with Electronic Arts — and global players can expect to see some expanded features, according to O’Brien. The new version will include official dictionaries in localized languages that Scopely has licensed and will be incorporating into the gameplay, he said. The new game will also have new social features, including regional tournaments, daily and weekly events and player leaderboards. There’s also a matchmaking system to connect with both friends and other players on the platform of a similar skill-level. A new “dueling” feature puts time limits on how long a player can take to make a word. “We want to build core Scrabble, but we need to build Scrabble for today’s market, ” says O’Brien. “We did something that worked really well with Yahtzee… and we make substantially more money on the mobile game then they do on the board game. ” The LA-based gaming company has been on a bit of an acquisition tear since raising $200 million financing, which values the company at a whopping $1. 7 billion. Published globally by Scopely, the new Scrabble GO game was developed in partnership with PierPlay game studio and joins a gaming portfolio that has amassed more than $1 billion in lifetime revenue. Games in the company’s portfolio include: Looney Tunes World of Mayhem and Star Trek Fleet Command, created with the recently acquired DIGIT Game Studios.
I thought this was about the Beethoven song. know the theme frome Die Hard 1.
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I loved Renee in Bridget Jones diary, Im so glad shes getting recognised for her acting again.
Sometimes always never watch full length movies. Tracy's mother's quote, who couldn't believe what her daughter had achieved after finishing a race, more so... winning it. That is absolutely such a cute and sweet moment. Remind me of my momma That made me crack up. Sometimes Always Never Watch Full length. DAMN! HOPE SANDOVAL IS HOOOOT. 1 Posted by 18 days ago comment 100% Upvoted Log in or sign up to leave a comment log in sign up Sort by no comments yet Be the first to share what you think! More posts from the Ranzware community Continue browsing in r/Ranzware r/Ranzware founded in June 2019. we strive to bring you the latest Tech News. from all source around the globe. Our goal is to produce interesting and educational content and become a valuable resource to those looking to keep up with these topics. 80 Members 20 Online Created Sep 1, 2019 Restricted help Reddit App Reddit coins Reddit premium Reddit gifts Communities Top Posts Topics about careers press advertise blog Terms Content policy Privacy policy Mod policy Reddit Inc © 2020. All rights reserved.
Now I want to get married (to Gwilym) 😍. Whats the name of the song? 🤔.
The Industry Took Her In And Then Spat Her Out
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Correspondent: Leigh Film
Bio: Charity: An independent film organisation, film society and community cinema. Patrons: Jo Platt, Christopher Eccleston, Ben Batt & Matthew McNulty
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I remember a film like this: Unfaithful... it's just a copy. En brazos de un asesino rotten. 1996 Compartir Favorito Reparto: William Baldwin, Anne Parillaud, Lisanne Falk, Reparto completo Género: Suspense / Thriller Director: Raoul Ruiz País: GB, CA Calificación: +18 Reparto Fotos BSO Información ofrecida por Sinopsis Jessie tiene que discernir entre sus dos personalidades: una mujer fatal que asesina a hombres por encargo, o esposa de Brian, su último encargo, con quien está de luna de miel en Jamaica.... Sinopsis completa Reparto Reparto completo Fotos Detalles técnicos color: Color duracion: 98 min. BSO Banda sonora instrumental compuesta por Jorge Arriagada Sinopsis completa - ¡Puede contener spoilers! Jessie tiene que discernir entre sus dos personalidades: una mujer fatal que asesina a hombres por encargo, o esposa de Brian, su último encargo, con quien está de luna de miel en Jamaica. Una de las pocas películas estrenadas en España del director de origen chileno Raoul Ruiz. En ella, se estructura una trama donde una mujer irá alternando dos personalidades diferentes, con su vida y sus reflexiones propias. Casi una década después de que demostrase su capacidad atlética en 'Nikita' de Luc Besson, la actriz francesa Anne Parillaud volvió a encarnar a una asesina a sueldo. Sin embargo, Ruiz le dio a ese personaje un tono algo más metafórico, intentando con ello delimitar las diferencias entre la realidad y la ficción. El resultado fue una película cargada de flashbacks, con un guión plagado de continuos saltos narrativos, en los que el pequeño de los Baldwin, William, aparece y desaparece sin saber del todo si es víctima o causante de la esquizofrenia de la protagonista. Subir Reparto completo En el orden en el que aparecen en los créditos William Baldwin Anne Parillaud Lisanne Falk Graham Greene (II) Bulle Ogier Billy Wilmott O'Neil Peart Leonie Forbes Rick Ravanello Subir.
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Patrons are awesome, and are one of the coolest parts of playing a Warlock. As a DM, I think it’s important to have a unique, specific goal that the patron is trying to achieve in making a pact--one that the Warlock may or may not buy into. Not only does this make your Fiendlock different from every other cultist to Asmodeus, but it gives you a clearer sense of factions and plotlines in your game world. On the other hand, why should Warlocks get all the fun? The idea of a “patron”--a powerful NPC that makes a deal with player characters--is far more broadly applicable than the sheer mechanics of “cast Eldritch Blast” and “have invocations. ” A patron/PC relationship can be added to the mechanics of any class to give it a unique flavor and bring new factions into your game. With that in mind, here are some specific patrons for various pacts, as well as ideas for integrating them for warlocks and non-warlock alike. FIEND Ordenzamor, the Endless Hunger ”Come a little closer, mortal, so that we may speak properly. I promise you: I don’t bite. ” Chained to the bottom of a pit, bone-thin and red-eyed, this snarling demon seeks only to devour--and wants to find a mortal willing to help. A clever, vicious glabrezu who was once a prized fighter of Demagorgon, Ordenzamor enjoyed the game of being summoned to the Material Realm and tricking or murdering those foolish enough to summon him. This continued for centuries until he was summoned by a mysterious archmage, more powerful than any he had met before. Instead of using him or freeing him, however, she merely imprisoned him within her tower with high-level magic. She came every few days to question him about the Abyss, then every few weeks. And then, abruptly, she never returned. The rest of the tower fell into decay over centuries, but Ordenzamor survived due to his high constitution. All that time he has hungered, his clever mind trapped in a starving body. When adventurers come across him, he seeks to devour souls and may attack them on sight--but if they survive, he is still lucid enough to see the value in making pacts. Pact of the Blade: Ordenzamor himself infuses the blade, consuming the souls of his victims. No matter the form, the blade never tarnishes, and the blood of its victims seems to be sucked into the metal itself. Pact of the Tome: Offerings can be made to the book itself; when Ordenzamor wishes to communicate with the Warlock, a toothy maw appears on one of the pages and speaks. Pact of the Chain: A lesser servant of Ordenzamor joins the warlock, constantly hungering. Anything this familiar consumes is sent directly to Ordenzamor's own stomach. Other possible classes: anyone who might be tempted into making a pact to obtain a powerful magic weapon at a price. No Warlock levels required. Mydianchlarus, the Record Keeper ”Your assignment begins tomorrow. If you have any concerns or comments, feel free to address them to Mortal Resources and allow five to six business years for processing. It’s a pleasure to have you aboard. ” Mydianchlarus is an ultroloth, the ultimate bookkeeper of the Lower Planes. Maintaining a plane-spanning mercenary company, Mydianchlarus' men can be sold to the highest bidder. Warlocks of Mydianchlarus gain their knowledge and power according to a strict payout system; perform the jobs that the company tasks you with, and eventually you receive payment in the form of new spells and abilities. Refuse, or do the job poorly, and you are no longer allowed to take a Warlock level until your situation has been rectified. Warlocks of Mydianchlarus rarely report to him directly; instead, they deal with lower yugoloths in the HR and contractor-handling departments. Pact of the Tome: A strict ledger in which the warlock lists expenses and tasks completed, and through which instructions are received in clear, unambiguous language. Pact of the Blade: A standard, unassuming weapon appears in hand. Each time the warlock summons a weapon, it appears slightly different--two longswords might have different hilts, styles, ages, or length of blade, and different serial numbers on the bottom. Every time, they’re actually requisitioning a different one from the company’s armory. Pact of the Chain: A lesser entity of the Mydianchlarus' organization is sent to monitor the warlock's progress, either as part of a probationary period or random performance reviews. GREAT OLD ONE Caiphon, The Dream Whisperer, That Which Calls from the Stars ”Our reports indicate similar images from independent sources around the nation. A violet star, whispers beneath their consciousness. Promises of wealth, power, knowledge in return for finding these ‘seeds. ’ So far, nobody has died or suffered from reporting these dreams. But we’re not as worried about those who came to us with their concerns. What I fear most is the people who listened. ” -Watchmaster General’s Report, 743 ABG, addressed to the Ars Arcanum of Eramor. Letter discarded before arrival. Nobody has ever seen Caiphon up close; the closest they get is seeing a purple star in the skies of their dreams as they stand out on an open field. Should a warlock gain enough knowledge to actually be worthy of Caiphon's attention, their dreams shift to the purple planet itself; a place of infinite pain, an endless sea of violet gelatin that clings to their feet like quicksand. Horrid creatures and objects of all types rise out of the mush, each screaming its own tune in an endless cacophony. These sounds make up Caiphon's voice, which resonates through the entire planet when you're on its body. When Caiphon wishes to speak more directly, the warlock is brought into a war zone between these strange creatures, with random people and animals stopping to deliver commands before returning to their endless carnage. What does Caiphon want? It whispers in the dreams of many at once, seeming to demand penance or sacrifice. Those that are swayed by the promises of blood and strength perform rituals and are often rewarded with purple seeds to spread across the world. Those who refuse are hunted down and corrupted by the purple goo, becoming part of Caiphon’s growing body on the planet. Caiphon seeks to extend its reach to all the planes in existence, gradually corrupting them all with its purple seeds. All minds and memories belong to Caiphon, in the end. Pact of the Tome: A dream journal--that is, a journal that appears even in the warlock’s dreams, containing images and sensations from Caiphon. Pact of the Blade: A twisted weapon that seems to glisten with a purple sheen. When it strikes a critical hit, a distant scream can be heard. Pact of the Chain: A tiny creature corrupted by Caiphon’s slimy essence is committed to the warlock’s goals. When it reforms, slime twists up from the ground to create its body. Other possible classes: Anyone. My take on Caiphon originally came from wanting to play a bog-standard farm-boy Champion Fighter with the WEIRDEST horror-mystery plotline. Good for anyone who just wants to get strange. Acamar, The Endless Eternal, That Which Came Before "If you're reading this, then it means you're here for a reason. Our Lord’s endless designs have brought you to this place, and my death will have been vindicated after all. Note these words carefully then destroy this stone. 7134 Eramor Kingsway. Rusted blade. Homecoming. Falling crown. Traveling Cloak. Rajan Suul. Seek the leaping crow. “ -Scrawled in blood deep within an underground cave long since overrun by ankhegs. Introduction translated from an archaic form of Dwarvish, popular about seven hundred years ago. Code words written in modern Common. Nobody knows where Acamar came from or why; some say it was the god before the gods, while others knew it as the elemental chaos itself. Either way, Acamar's arcane foresight was second to none; it could see thousands of years into the future, setting in motion plans that would not come to fruition for centuries. Through this, it evaded destruction from other entities. Eventually, it took all the might of every god in the pantheon to overcome Acamar's powers and slay it once and for all, eradicating it from the world. But this, too, was foreseen. Thousands of years later, the chain of events set into motion by Acamar's foresight still continues. Warlocks find hidden tomes of knowledge at precisely the moment where they are most vulnerable, and continue along the path. While it is said that Acamar can be wrong on a small, day-to-day scale, nobody has yet been able to prove so definitively. Warlocks continue to find obscure spells and knowledge in seemingly random locations--written in claw marks on a stone wall, a piece of parchment in a long-lost scroll case, within the bowels of a slain beast--indicating that they are still part of Acamar's designs. Acamar cannot be killed, because it is already dead. Its plans--to be returned to life and consume the world--seem as inevitable as entropy itself, but players might find themselves facing off and trying to break the cycle. Pact of the Tome: A seemingly random book from a local library, with bits and pieces scribbled upon it from ages past, prophecies that only become apparent in hindsight. As the PCs progress, more pages are found in the same style around the world, and can be bound into the book. Pact of the Chain: Ancient knowledge has provided the warlock with a forbidden manner of casting Find Familiar; their spirit is one that has not been awoken in centuries, but may be just as clueless about Acamar’s goals as anybody else. Other possible classes: Divination Wizard, Aberrant Mind Sorcerer, anything Psionic. Really, anybody who wants an explanation for “learning” new class features can use Acamar. ARCHFEY This, perhaps, is where pacts should absolutely go beyond mere Warlocks. Several classes have a ton of Feywild flavor; Glamour Bards, Dreams Druid, Wild Soul Barbarians, Oath of Ancients Paladins, Eldritch Knights and Enchantment Wizards to name but a few. Roselie, Lady of Gardens ”It was impossible not to fall in love with her. Straw-colored curls fell down to frame an impossible delicate face, with eyes bluer than a midday stream that seemed to pierce into your very soul. Where she walked, grass grew beneath her feet. Where she drew her fingers, flowers blossomed. Birds chirped and honeybees buzzed, and I knew at any moment she could say the word and every creature in her garden could eat me alive. ” Roselie is an Archfey of the Summer Court, representing growth and nature and freedom above all. Though sweet and kind as summer, she understands little about the mortal world. She seeks, above all else, to share the seeds of her garden with the world and to receive new plants from all over. Her warlocks tend to be in tune with nature and admirers of natural beauty--others are desperately in love with her, and hope to win her affection by showing her the greatest beauty that the Prime Material has to offer. Pact of the Tome: A book in which the PC can press flowers and other plants they come across in their travels, and document the life they see. Pact of the Blade: A scythe, kukri, or shears. To grow, some limbs must be pruned. Pact of the Chain: A ditzy fey familiar joins the PC, fascinated by every aspect of the Material Plane and liable to get them in trouble. See: Toot-toot from the Dresden Files. Other possible classes: Druids and Nature Clerics come to mind, as well as nature-themed Fighters or Rangers. Mab, Queen of Air and Darkness, Mistress of the Winter Court “I only ventured once into the Court of the Unseelie, to meet with the Queen herself. I knelt before her, shivering despite my cloak, begging for power as the beautiful bone-white fey watched me in their ball gowns and suits. She ordered me to stand and face her, and I did. It is impossible to do her appearance justice. I wanted to grab her and take her right there, but I also wanted to run screaming and cover my neck. She was delicate as a sculpture of ice, and forceful as a raging blizzard. I accepted her power and now serve her will, but I will never go back. Not because I’m afraid of dying, but because I’m afraid I might never leave. ” Where the Summer Court represents the playful, wild side of the Fey, the Winter Court marks the other half of nature: predation and survival. As Mistress of the Winter Court, Mab is as beautiful as she as deadly, with porcelain, snow-white skin and coal-black eyes. She demands service to the Court and a loyalty to the ideals of Winter. The Winter Knight takes many forms, but Mab expects strength above all. Pact of the Tome: A spellbook written entirely in Sylvan, this book is always icy-cold to the touch. Pact of the Blade: Winterbrand, a blade made entirely of exquisitely-carved ice. Pact of the Chain: A small spirit of the Winter Court joins as the Warlock’s vassal. Consider taking the Tomb of Levistus invocation. Alternatively, consider using Mab as a Hexblade patron, reflavoring the Hexblade’s Curse as an icy hex. Cone of Cold and Shield fit right in, as well. Taryn Eversong, Knight of the Silver Lyre ”It has been thirty-four years since I visited the satyr in the Wyldlands of the Fey, seeking skills beyond mortal limits. And though I play and play and play, I can still hear his song, rumbling in my chest like an old friend. ” A gorgeous, shirtless satyr of the Wyldfae who always strums a glimmering lyre, Taryn is known as one of the greatest artists in all the realms. Singer, musicians, poets and artists seeking beauty in the Feywild often petition him to enhance their skills, and he is more than happy to oblige. He delights in patronizing artists and seeing their reputations grow, using their power and renown in his own attempts to secure a high position in one of the Fae Courts. Pact of the Tome: A songbook full of Taryn's greatest hits, covered in scores of music and half-finished lyrics for the PC to toy around with. Pact of the Blade: A curved, silver blade that doubles as a tuning fork; it hums a pure tone as it swings, and breaks out into a gorgeous harmony upon striking with a critical hit. Pact of the Chain: A tiny fey backup singer joins your party. Enough said. Other possible classes: I mean, Bards. Every kind of Bard. Glamour Bard, specifically, but every kind of Bard. CELESTIAL I don’t have specific ideas for pacts for these guys. But they’re still damn fun. Adiel, the Gambler ”If I’m being honest, I’ve had about enough of devotees singing praises to Bahamut. I mean, we get it. Honor. Law. Striking down evil wherever it is found. Here’s the tricky bit: every evil worth striking is perceptive enough to see those guys coming. That’s why I chose you. ” Among all the other angels, Adiel is singled out as being a bit of a daredevil. The others are Lawful Good to a fault, seeking those who can spread their message of peace and goodness though worship of deities. Adiel has spent time on the mortal world, however, and knows firsthand that things are more complicated. As a result, he has struck a deal with the PC whom he knows to be flawed, and sometimes willing to walk the riskiest path--more important, someone who does not loudly worship the ideals of his god. He has taken a gamble on you to achieve some purpose, and can only hope that his warlock follows through. Adiel appears as an impossibly handsome, winged, dark-skinned man in white robes. By his nature, he can only have limited interaction with his chosen mortal so as to avoid drawing attention to them--both from his god and from others. As a result, he tends to communicate in short bursts during dreams, guiding the path but never outright sharing his goals with anybody. Sparklefoot, the Unicorn of Redemption ”Oh, man, looks like you're in a tight spot. Those knots around your wrist are top-notch. These thugs aren’t messing around, huh? I'd tell them where the contraband is, if you want to live. What do you mean the boss didn't tell you? That's not--ouch, yeah, that looked like it hurt. Good thing you don't need your pinkie, right? At least, that's what you told poor old Mrs. Broadwell when you were shaking her down for fifteen silver last week. Oh, they're jumping right to kneecaps. I’ve got good and bad news. Bad news, they're starting to believe you don't know where the shipment went. Good news, the constables will be here in about ten minutes to pick up your corpse. ”Now, maybe I can help with that. How's about we make a deal? " A glorious unicorn that leaves rainbows in its wake, Sparklefoot seeks evildoers in their darkest moments. She makes a deal with them right before death, strongarming them into accepting the path of righteousness in exchange for magical powers. Some of these criminals and lowlives accept, and are subsequently indebted to Sparklefoot, who commands them to do good and heal. Warlocks of Sparklefoot find themselves adhering to tenets of healing and honesty despite their natural inclinations. Additionally, once every year the warlock must attend to a specific quest from Sparklefoot without question. Over time, these warlocks might find themselves beginning to see Sparklefoot’s way of approaching the world. Others rebuke the gifts given, only to realize that Sparklefoot has more leverage on them than they might think. Thanks for reading, and I hope this can be helpful for your own games! If you liked this, you may enjoy some of my other work: Philosophy/Theory of Conjuration | Illusion | Enchantment Alternative Afterlife The Draconic Pantheon The Order of Tarnished Silver Magehaven, the City of Refuge Detritus: The Plane of Refuse.
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We have three Marauders-Snape interactions from their school days, and I argue that they, by themselves, with no need for more context, prove that at least until the end of their 5th year, the Marauders bullied Snape, and it was undeserved, one-sided, and extreme. The Express Scene This is the 1st interaction between Snape, James, and Sirius: Snape enters a compartment containing Lily and a group of rowdy boys, including James and Sirius. This passage is followed by Snape and Lily’s brief argument, and then: “But we’re going! ” he said, unable to suppress the exhilaration in his voice. “This is it! We’re off to Hogwarts! ” She nodded, mopping her eyes, but in spite of herself, she half smiled. “You’d better be in Slytherin, ” said Snape, encouraged that she had brightened a little. “Slytherin? ” One of the boys sharing the compartment, who had shown no interest at all in Lily or Snape until that point, looked around at the word, and Harry, whose attention had been focused entirely on the two beside the window, saw his father: slight, black-haired like Snape, but with that indefinable air of having been well-cared-for, even adored, that Snape so conspicuously lacked. “Who wants to be in Slytherin? I think I’d leave, wouldn’t you? ” James asked the boy lounging on the seats opposite him, and with a jolt, Harry realized that it was Sirius. Sirius did not smile. “My whole family have been in Slytherin, ” he said. “ Blimey, ” said James, “ and I thought you seemed all right! ” Sirius grinned. Snape’s exhilaration lasts five minutes before James hears something he doesn’t like. The text hints at what kind of person 11 years old James is another way - he sounds like Draco: “Imagine being in Hufflepuff, I think I’d leave, wouldn’t you? ” Back to James and Snape: James picks a fight with Snape without provocation - Snape is talking to Lily. [... ] Where are you heading, if you’ve got the choice? ” James lifted an invisible sword. “‘Gryffindor, where dwell the brave at heart! ’ Like my dad. ” Snape made a small, disparaging noise. James turned on him. “Got a problem with that? ” “No, ” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy —” “Brawny” is not even an insult, and a “slight sneer” is called for, given that James said he’d rather leave than be in Slytherin. Snape also doesn’t insult James - he rolls his eyes at the fact that James values physical courage over intelligence. James is the one who confronts Snape directly. “ Where’re you hoping to go, seeing as you’re neither? ” interjected Sirius. James roared with laughter. Lily sat up, rather flushed, and looked from James to Sirius in dislike. “Come on, Severus, let’s find another compartment. ” “Oooooo... ” James and Sirius imitated her lofty voice; James tried to trip Snape as he passed. “See ya, Snivellus! ” a voice called, as the compartment door slammed. James picks a fight and throws the first indirect insult. Sirius throws the first direct insult, calling Snape stupid and weak. James approves. Lily wants to get away, gets mocked, and James tries to trip Snape, meaning he is escalating to physical violence, as Snape and Lily were leaving, no less! Brawny indeed! Someone also throws the first rude nickname, Snivellus (incidentally, Snape never refers to James or Sirius by anything other than their actual name). This is the first Snape+Lily and proto-Marauders interaction. Snape is uninteresting until he gives James a reason to hate him, and then James and Sirius seem to bond over their hatred of everything Slytherin, including Snape, and Lily, who is Slytherin-bound at this point. Sirius tries to make peace with Lily once she is Sorted, but she's still hurt. She took one look at him, seemed to recognize him from the train, folded her arms, and firmly turned her back on him. The Prank The "prank" takes place sometime in their fifth year. This is Lupin’s account of it: ”Snape had seen me crossing the grounds with Madam Pomfrey one evening as she led me toward the Whomping Willow to transform. Sirius thought it would be — er — amusing, to tell Snape all he had to do was prod the knot on the tree trunk with a long stick, and he’d be able to get in after me. Well, of course, Snape tried it — if he’d got as far as this house, he’d have met a fully grown werewolf — but your father, who’d heard what Sirius had done, went after Snape and pulled him back, at great risk to his life... Snape glimpsed me, though, at the end of the tunnel. He was forbidden by Dumbledore to tell anybody, but from that time on he knew what I was. ” Sirius doesn’t correct Lupin, and neither does Snape, so we can take it at face value. Why did Sirius do it? In his words: ” It served him right, ” he sneered. “ Sneaking around, trying to find out what we were up to… hoping he could get us expelled. ” In Sirius’s mind, at 16 (and at 33), sneaking around is punishable by death. Maybe Sirius didn’t intend Snape to use the information? But then, why give it? Did he want to frighten Snape so he'll leave them alone? Why would he do that in a way that hurts Lupin? The only explanation is that Sirius either wanted Snape dead, or did not think of the consequences ( or of Lupin), only of his own amusement. Fortunately, James did. Since James’s life was endangered (despite James possibly already being an Animagus), Snape’s was, too. Dumbledore agrees that this was attempted murder: “Sirius Black showed he was capable of murder at the age of sixteen, ” he breathed. “You haven’t forgotten that, Headmaster? You haven’t forgotten that he once tried to kill me? ” “ My memory is as good as it ever was, Severus, ” said Dumbledore quietly. We know Dumbledore knows how to shut Snape down, and even dismiss his concerns. That he doesn’t do so here suggests that Snape’s feelings are more than justified. Snape did not know what Lupin was. The only sign that he knew is Lily’s “I know your theory”. Here it is in context: “It was Dark Magic, and if you think that’s funny —” “ What about the stuff Potter and his mates get up to? ” demanded Snape. His color rose again as he said it, unable, it seemed, to hold in his resentment. “What’s Potter got to do with anything? ” said Lily. “ They sneak out at night. There’s something weird about that Lupin. Where does he keep going? ” “ He’s ill, ” said Lily. “They say he’s ill —” “Every month at the full moon? ” said Snape. “I know your theory, ” said Lily, and she sounded cold. ] I heard what happened the other night. You went sneaking down that tunnel by the Whomping Willow, and James Potter saved you from whatever’s down there. ” This conversation is a little after the prank, because Lily refers to James saving Snape from something that’s down the tunnel by the Whomping Willow the other night. Snape is provoked because Lily is lecturing him about Dark Magic, and Lupin is a textbook Dark creature who had been used to nearly kill him. He impulsively asks about Potter and his mates. Now knowing what Lupin is, he is trying to steer Lily to that conclusion. The “theory” Lily knows can be literally anything. Assuming that the theory is “werewolf”, Lily’s response makes no sense - she is the one who says “he’s ill” as if refuting it. Most tellingly, “the other night” was a full moon night, and Lily does not wonder why Snape went down to the Whomping Willow if he had expected a werewolf. Also, werewolves are 3rd year material - if he had been needlessly obsessing with the Marauders and keeping track of them at all times, he would have realized this in their third year, like Hermione, and he would have known how to deal with a werewolf before going into the tunnel. What happened was that he was completely unprepared for this and he froze (as one does when trapped in a confined space with a predator), and was pulled out by James. If Snape knew, then why, rather then tell everyone and ruin the Marauders’ life, did he endanger himself? Why did Lupin say “but from that time on he knew what I was”? Why did Sirius say he was “ trying to find out what we were up to? ” Most importantly, who cares? Being stupid or curious is not a crime. The “prank” was attempted murder and Sirius was an attempted murderer. Meanwhile, the accusations leveled against teenage Snape are that he was “an oddball who was up to his eyeballs in the Dark Arts”, jealous of James, hung around with Slytherins who then became Death Eaters; found what Mulciber did to Mary funny, and that, per Lupin, “Sectumsempra was always a specialty of Snape’s”. Even Lily only accuses him of hanging around with (not of being one of the) people she finds creepy, who do “Dark Magic”, and of calling people Mudbloods. This, when lecturing Snape about his wrongdoings and ending the friendship, meaning these were her strongest complaints. Sectumsempra was probably developed after the attempted murder - it is a clear escalation from the other spells Snape developed, which were more defensive, and I have good reason to believe it made its debut in Snape’s worst memory. Conclusion: Sirius tried to kill Snape because Snape had inconvenienced him and his friends. How did the school handle this? Dumbledore forbade Snape from telling anyone about it. Sirius wasn’t expelled. We also have this conversation (yes, again. JRK is a wonderful author and this is extremely layered): “And you’re being really ungrateful. I heard what happened the other night. You went sneaking down that tunnel by the Whomping Willow, and James Potter saved you from whatever’s down there —” Snape’s whole face contorted and he spluttered, “Saved? Saved? You think he was playing the hero? He was saving his neck and his friends’ too! You’re not going to — I won’t let you —” This might be the first time Snape realizes that James hadn’t been silenced. James goes around bragging about saving Snape, making himself look like a hero who saved that idiot Snape - and Lily believes James over her supposed best friend. Since the thing adult Snape accuses James of the most is arrogance, I think this is the worst thing James did, in Snape’s view - ruining his credibility and reputation with his bragging. James took credit for saving Snape’s life, but astonishingly, this was not a wake-up call. The Marauders did not see the error of their ways, at all. Even after graduation, Snape held on to Lupin’s secret for 20 years, until the end of POA. This hints at some sort of magical silencing, but whether or not you buy it, the way Dumbledore handled the attempted murder is appalling, and nowadays, the similarity to the systemic hushing-up and victim-blaming and discrediting that often follows rape should be obvious, even if the analogy was unintentional. James, conversely, looks the hero. This level of bullying and enabling is extreme, and should be understood as such. Snape’s Worst Memory Here’s adult Lupin trying to comfort Harry about not being made a prefect: “I think Dumbledore might have hoped that I would be able to exercise some control over my best friends, ” said Lupin. “ I need scarcely say that I failed dismally. ” This is foreshadowing, even if Lupin makes it sound cute. The pretext for Harry viewing SWM is that Snape rushes out of class to help Montague, who finally resurfaced after being shoved in the Vanishing Cabinet by the twins. Here’s what Harry sees: Snape-the-teenager had a stringy, pallid look about him, like a plant kept in the dark. This is the boy who was barely able to contain his exhilaration at going to Hogwarts. This place has really done a number on him. James yawned hugely and rumpled up his hair, making it even messier than it had been. Then, with a glance toward Professor Flitwick, he turned in his seat and grinned at a boy sitting four seats behind him. James doesn’t look like he’s been having a hard time. Whatever Snape did to them didn’t make them change their demeanor. Here’s Sirius: Harry saw Sirius give James the thumbs-up. Sirius was lounging in his chair at his ease, tilting it back on two legs. He was very good-looking [... ] and a girl sitting behind him was eyeing him hopefully, though he didn’t seem to have noticed. ] Harry looked down at his father, who had hastily crossed out the L. E. he had been embellishing, jumped to his feet, stuffed his quill and the exam question paper into his bag, which he slung over his back, and stood waiting for Sirius to join him. Harry looked around and glimpsed Snape a short way away, moving between the tables toward the doors into the entrance hall, still absorbed in his own examination paper. Round-shouldered yet angular, he walked in a twitchy manner that recalled a spider, his oily hair swinging about his face. A gang of chattering girls separated Snape from James and Sirius [... ] Snape and Lily have been drifting apart: James and Sirius wait for each other after their exam, Snape and Lily don’t. The gang includes Lily. Later, we also learn why Sirius doesn’t notice the girl. Snape walks with a hunch, he’s twitchy, he’s looking from side to side (his hair is swinging). His body language is screaming: he is scared. ] Snape remained close by, still buried in his examination questions; but this was Snape’s memory, and Harry was sure that if Snape chose to wander off in a different direction once outside in the grounds, he, Harry, would not be able to follow James any farther. To his intense relief, however, when James and his three friends strode off down the lawn toward the lake, Snape followed, still poring over the paper and apparently with no fixed idea of where he was going. How hard must it have been for Snape to answer questions about werewolves while in the same room as Sirius and Lupin? I think he had to dissociate heavily to get through the exam, and this is why he is wandering aimlessly and appears unaware of his surroundings. He’s definitely not trying to bother the Marauders. Moving on. He started playing with the Snitch, allowing it to fly as much as a foot away and seizing it again; his reflexes were excellent. Wormtail watched him in awe. They stopped in the shade of the very same beech tree on the edge of the lake [... ]. ] Snape had settled himself on the grass in the dense shadows of a clump of bushes. He was as deeply immersed in the O. W. L. paper as ever, which left Harry free to sit down on the grass between the beech and the bushes and watch the foursome under the tree. The sunlight was dazzling on the smooth surface of the lake, on the bank of which the group of laughing girls who had just left the Great Hall were sitting with shoes and socks off, cooling their feet in the water. ] James was still playing with the Snitch, letting it zoom farther and farther away, almost escaping but always grabbed at the last second. Wormtail was watching him with his mouth open. Every time James made a particularly difficult catch, Wormtail gasped and applauded. After five minutes of this, Harry wondered why James didn’t tell Wormtail to get a grip on himself, but James seemed to be enjoying the attention. Harry noticed his father had a habit of rumpling up his hair as though to make sure it did not get too tidy, and also that he kept looking over at the girls by the water’s edge. “Put that away, will you? ” said Sirius finally, as James made a fine catch and Wormtail let out a cheer. “Before Wormtail wets himself from excitement. ” Wormtail turned slightly pink but James grinned. “If it bothers you, ” he said, stuffing the Snitch back in his pocket. Harry had the distinct impression that Sirius was the only one for whom James would have stopped showing off. This establishes that: 1. Snape is minding his own business. 2. James is so attention-seeking, it’s making Harry uncomfortable. 3. Lily is nearby and James wants her to notice him. 4. Sirius is the only one who can put James in his place. 5. James’s reflexes are excellent. The horror show begins: “ I’m bored, ” said Sirius. “Wish it was full moon. ” [... ] “ This’ll liven you up, Padfoot, ” said James quietly. “Look who it is... ” Sirius’s head turned. He had become very still, like a dog that has scented a rabbit. “Excellent, ” he said softly. “Snivellus. ” Sirius and James’s motivation is boredom. There is no sign that they are scared of Snape, on the contrary, this is fun for them. Sirius and Snape are literally compared to a dog and a rabbit - predator and prey. Harry turned to see what Sirius was looking at. Snape was on his feet again, and was stowing the O. paper in his bag. As he emerged from the shadows of the bushes and set off across the grass, Sirius and James stood up. Lupin and Wormtail remained sitting: Lupin was still staring down at his book, though his eyes were not moving and a faint frown line had appeared between his eyebrows. Wormtail was looking from Sirius and James to Snape with a look of avid anticipation on his face. “All right, Snivellus? ” said James loudly. Snape reacted so fast it was as though he had been expecting an attack: Dropping his bag, he plunged his hand inside his robes, and his wand was halfway into the air when James shouted, “ Expelliarmus! ” Snape’s wand flew twelve feet into the air and fell with a little thud in the grass behind him. This behavior is nothing unusual: otherwise, what is Lupin worried about? What is Peter avidly anticipating? Why does Snape react as though he had been expecting this? Why does it appear like they never retired the nickname from the Express scene? Snape had now been disarmed. Everything that follows is an attack against someone helpless. Sirius let out a bark of laughter. “Impedimenta! ” he said, pointing his wand at Snape, who was knocked off his feet, halfway through a dive toward his own fallen wand. Students all around had turned to watch. Some of them had gotten to their feet and were edging nearer to watch. Some looked apprehensive, others entertained. Snape lay panting on the ground. James and Sirius advanced on him, wands up, James glancing over his shoulder at the girls at the water’s edge as he went. James publicly attacks Snape in two out of two scenes he appears in. If the text wanted to establish a rivalry, it failed. James and Sirius are advancing on a guy who is laying panting on the ground without his wand. James is trying to get Lily’s attention with this behavior. Wormtail was on his feet now, watching hungrily, edging around Lupin to get a clearer view. “How’d the exam go, Snivelly? ” said James. “I was watching him, his nose was touching the parchment, ” said Sirius viciously. “There’ll be great grease marks all over it, they won’t be able to read a word. ” That’s why Sirius didn't notice the girl. He was preoccupied with Snape, he hates him this much. He never grew out of it. From POA: “Snape? ” said Black harshly, taking his eyes off Scabbers for the first time in minutes and looking up at Lupin. “ What’s Snape got to do with it? ” Sirius, 33, hates Snape so much, it makes him take his eyes off Pettigrew, who betrayed the Potters, killed 12 people, and framed him. Why? How could this possibly be rational? It's worth noting, in this context, that the Marauders' Map insults Snape's looks too. It appears that they were very preoccupied with it, much more than with his interest in the Dark Arts. Moving on: Several people watching laughed; Snape was clearly unpopular. Wormtail sniggered shrilly. Snape was trying to get up, but the jinx was still operating on him; he was struggling, as though bound by invisible ropes. “You — wait, ” he panted, staring up at James with an expression of purest loathing. “You — wait... ” “Wait for what? ” said Sirius coolly. “What’re you going to do, Snivelly, wipe your nose on us? ” When Snape is openly threatening James, Sirius does not believe him capable of worse than wiping his nose on them. Here’s Sirius to an opponent he respects (20 years later, but still): “Come on, you [Bellatrix] can do better than that! ” Indeed, she can. Moving on: Snape let out a stream of mixed swearwords and hexes, but his wand being ten feet away, nothing happened. “Wash out your mouth, ” said James coldly. “Scourgify! ” Pink soap bubbles streamed from Snape’s mouth at once; the froth was covering his lips, making him gag, choking him — “Leave him ALONE! ” James and Sirius looked around. James’s free hand jumped to his hair again. It was one of the girls from the lake edge. She had thick, dark red hair that fell to her shoulders and startlingly green almond-shaped eyes — Harry’s eyes. Harry’s mother. James is telling Snape: You’re nothing. You’re so low, you’ll be punished (by choking) for attempting to defend yourself. Snape is supposed to be the one who is all about the scary Dark Arts, but it seems that Scourgify can certainly do enough damage when applied to a human mouth, no? Anyway, James accomplished his goal - Lily is finally paying attention to him. “All right, Evans? ” said James, and the tone of his voice was suddenly pleasant, deeper, more mature. “Leave him alone, ” Lily repeated. She was looking at James with every sign of great dislike. “ What’s he done to you? ” “Well, ” said James, appearing to deliberate the point, “ it’s more the fact that he exists, if you know what I mean... ” Many of the surrounding watchers laughed, Sirius and Wormtail included, but Lupin, still apparently intent on his book, didn’t, and neither did Lily. “You think you’re funny, ” she said coldly. “But you’re just an arrogant, bullying toerag, Potter. Leave him alone. ” If Snape deserves this, why does Lily ask James why he is attacking him? Why does James make a point of explaining how low Snape is, instead of producing a reason Lily would approve of? Why is Lupin staying out of it and not defending his friends? Why is Lily calling James a bully? My guess about the “he exists” line is that James is teasing Snape because Snape owes him his life. Imagine being teased about being nearly killed. This is two Gryffindor Prefects on the scene now, who are obligated not only to protest what is going on, but to stop it and report it. Lupin is failing miserably, and Lily is failing only slightly less miserably (or maybe more, because she and Snape are ostensibly friends, still. ) “ I will if you go out with me, Evans, ” said James quickly. “Go on... Go out with me, and I’ll never lay a wand on old Snivelly again. ” Behind him, the Impediment Jinx was wearing off. Snape was beginning to inch toward his fallen wand, spitting out soapsuds as he crawled. “I wouldn’t go out with you if it was a choice between you and the giant squid, ” said Lily. Snape is still on the floor, coughing up soap, wandless, crawling. James is not doing this because Snape deserves it. A pro-Marauders fanfic I read attempted to make James look good in this scene by having Snape torture Peter in the same manner first. Let’s say this happened. Proof by elimination: James isn’t giving Lily the real reason for the sake of Pete’s dignity. This also explains Pete’s anticipation. But why is Lupin disapproving? How come James promises to end the hostility for a date, if he’s retaliating for something? More generally, If James is being moral, why target Snape, and not Avery and Mulciber, who actually do bad things? What did Bertram Aubrey do? Conclusion: Snape did nothing to deserve this. Moving on: “Bad luck, Prongs, ” said Sirius briskly, turning back to Snape. “OY! ” But too late; Snape had directed his wand straight at James; there was a flash of light and a gash appeared on the side of James’s face, spattering his robes with blood. James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants. Many people in the small crowd watching cheered. Sirius, James, and Wormtail roared with laughter. Lily, whose furious expression had twitched for an instant as though she was going to smile, said, “Let him down! ” “Certainly, ” said James and he jerked his wand upward. Snape fell into a crumpled heap on the ground. This is Sectumsempra's debut. If Snape had used it before, Sirius would have had more to worry about than Snape's boogers. He was certainly not famous for attacking people with it, as some claim. This hypothesis is based on Lupin saying Sectum was a specialty of Snape’s - but of course it was, he invented it, and Lupin is one of the enemies for whom it was intended. Hell, the inscription “for enemies” proves teen Snape knew you don’t use this spell on just anyone. The fact that it takes Snape using it again (in the 7 Potters battle, ironically, in an attempt to protect Lupin) for Lupin to remember that he ever used it shows that he didn’t use it indiscriminately. James had it coming. James is also the type of person who would leverage the safety of a girl’s friend to score a date with her. Appalling. Moving on: Disentangling himself from his robes, he got quickly to his feet, wand up, but Sirius said, “Petrificus Totalus! ” and Snape keeled over again at once, rigid as a board. “LEAVE HIM ALONE! ” Lily shouted. She had her own wand out now. James and Sirius eyed it warily. “ Ah, Evans, don’t make me hex you, ” said James earnestly. “Take the curse off him, then! ” James sighed deeply, then turned to Snape and muttered the countercurse. “There you go, ” he said, as Snape struggled to his feet again, “ you’re lucky Evans was here, Snivellus — ” Thanks for remembering you have a wand, Lily. No wonder Snape had to seek out friends who might be more enthusiastic about protecting him (although, where are they? How tight was he with his Slytherin gang at this point? ) James earnestly threatens Lily, whom he likes. He is displeased at having to release Snape, he threatens him with what could have been. This is clearly intended to humiliate Snape, and it works. When Harry views this scene for the second time, in The Prince’s Tale, this moment is described like this: “Distantly he heard Snape shout at her in his humiliation and his fury, the unforgivable word: “Mudblood. ” Snape tried to reclaim some dignity, some of his masculinity, even. Sadly, it backfired horrendously. “ I don’t need help from filthy little Mudbloods like her! ” Lily blinked. “Fine, ” she said coolly. “ I won’t bother in future. And I’d wash your pants if I were you, Snivellus. ” “Apologize to Evans! ” James roared at Snape, his wand pointed threateningly at him. “I don’t want you to make him apologize, ” Lily shouted, rounding on James. “ You’re as bad as he is. ” “What? ” yelped James. “I’d NEVER call you a — you-know-what! ” “[... ], walking down corridors and hexing anyone who annoys you just because you can — I’m surprised your broomstick can get off the ground with that fat head on it. You make me SICK. ” She turned on her heel and hurried away. “Evans! ” James shouted after her, “Hey, EVANS! ” But she didn’t look back. “What is it with her? ” said James, trying and failing to look as though this was a throwaway question of no real importance to him. “Reading between the lines, I’d say she thinks you’re a bit conceited, mate, ” said Sirius. “Right, ” said James, who looked furious now, “right —” There was another flash of light, and Snape was once again hanging upside down in the air. “Who wants to see me take off Snivelly’s pants? ” And scene. The key words were “I don’t need help”, not “Mudbloods”. This is not saying slurs are OK. However, this was in 1970s UK, and Wizarding society is behind Muggle society in every way. Unfortunately, slurs were more common then, meaning it was not just the raging racists who used them. In universe, we know Snape used that word on others (which is worse than doing it at a moment of rage and hurt, by the way) and James doesn't say that's why he's attacking Snape. Even when Draco uses it, nobody starts a campaign against slurs. Harry, Lily's son, barely even remembers that Snape used that word - he correctly identifies what's the bigger transgression in this scene, even though he hates Snape. Why is the use of a slur scrutinized so heavily when, in universe, it is clearly not downplayed and is in fact a major plot point? Why are the abuse and public degradation that are the context for using it downplayed and whitewashed? People insist that things must have happened, off-page, that justify what James and Sirius did, but ignore the on-page explanation for what Snape did. Even Lily, the “Mudblood” in question, who is clearly hurt, says James is as bad as Snape, and accuses James of hexing people because he can. Lily’s “I won’t bother in the future” is further proof that she knows there will be a next time - this was not a one time thing, she’s had to defend Snape before. James is a menace. And the menace is furious. He was not furious before, mind you, just bored. It’s because he had no reason to be furious with Snape. Jamese is furious now because Lily rejected him. It is a near-certainty that James then exposed Snape’s genitals in front of a crowd (in UK English, pants means underpants): The scene ends there, with the literary equivalent of a fade to black. James seems intent on delivering on his threat. Lupin and Sirius don’t say it didn’t happen. Snape has now been sexually assaulted at least once. To put this in perspective, something similar is done to someone else, by a bad group of people, and it is referred to as torture. From GOF: One of the marchers below flipped Mrs. Roberts upside down with his wand; her nightdress fell down to reveal voluminous drawers and she struggled to cover herself up as the crowd below her screeched and hooted with glee. Voldemort’s heard of this: You are still ready to take the lead in a spot of Muggle-torture, I believe? Except what Snape endured is worse in some respects, because his underpants were removed, he was a minor, his assailants were not strangers and he continued to see them every day, and all of this is going on the charitable assumption that the assault at the end of SWM was the only one. Mrs. Roberts is a victim of a hate crime (although she doesn’t know it), and she is experiencing a horror she cannot comprehend, true; and yet - within the moral landscape of HP, this is extreme behavior. Harry views this scene and he is horrified, the thought of his father makes him ashamed. He never tells anyone he’s seen it, except Sirius and Lupin. For nearly five years the thought of his father had been a source of comfort, of inspiration. Whenever someone had told him he was like‘ James he had glowed with pride inside. And now… now he felt cold and miserable at the thought of him. From the same chapter: Directly ahead of him, Harry could see the towering beech tree below which his father had once tormented Snape. He was not sure what Sirius could possibly say to him that would make up for what he had seen in the Pensieve, but he was desperate to hear Sirius’s own account of what had happened, to know of any mitigating factors there might have been, any excuse at all for his father’s behavior... He gets none. If Snape and the Marauders had been rivals, then the people who knew Snape would have had something worse to say about him than vague accusations of being into Dark Arts. Even when Snape kills Dumbledore, and it is “proven” that he was never good, nobody has anything concrete to say to make any sense of it. On the contrary: they are all shocked. Here’s Sirius’s analysis of the kind of company Wormtail sought out, in a startlingly rare display of self-awareness: You’d want to be quite sure he was the biggest bully in the playground before you went back to him, wouldn’t you? James has multiple advantages over Snape: He has 3 sidekicks, including a prefect. He’s a rich, popular pureblood. McGonagall, who’s in charge of disciplining him, is known to bend rules when it comes to Quidditch stars. His Quidditch skills make him hard to evade and beat. Dumbledore has already shown that he will let them get away with murder, quite literally. He has an infallible surveillance system of the school and a perfect invisibility cloak. Snape was no match to all of that. Rather than prove that he had “changed”, the fact that James was made Head Boy proves that James set the terms for any encounter between Snape and himself, no matter how many times Lupin says Snape was a special case. The only thing about Snape that was special was that he was an especially easy target, and also, he was friends with Lily, which James really didn't like. Sirius and Lupin admit that their behavior was unacceptable: “I’m not proud of it, ” said Sirius quickly. ] “Did I ever tell you to lay off Snape? ” he [Lupin] said. “Did I ever have the guts to tell you I thought you were out of order? ” “Yeah, well, ” said Sirius, “ you made us feel ashamed of ourselves sometimes... That was something... " Why would Lupin think his friends were out of order, why would he make them feel ashamed of themselves sometimes, if they had been a mutual rivalry, or if they had been defending the school against a deranged psycho, as some like to portray it? Harry is so disgusted by his father's behavior, he does not understand what Lily saw in him: “She started going out with him in seventh year, ” said Lupin. “Once James had deflated his head a bit, ” said Sirius. “And stopped hexing people just for the fun of it, ” said Lupin. “ Even Snape? ” said Harry. “Well, ” said Lupin slowly, “Snape was a special case. I mean, he never lost an opportunity to curse James, so you couldn’t really expect James to take that lying down, could you? ”“And my mum was okay with that? ” “ She didn’t know too much about it, to tell you the truth, ” said Sirius. “I mean, James didn’t take Snape on dates with her and jinx him in front of her, did he? ” Lupin speaks slowly because he’s lying. It’s James who never missed an opportunity, and Snape was expected to take it lying down. James knew he was in the wrong, otherwise, why lie? Since James managed to hide his stunts from Lily, why not from the staff? Given his bragging that he “saved Snape’s life, ” lying to look good to Lily is a pattern. Lupin is a known liar, as proven by the entire plot of POA. James’s two best friends have nothing concrete to say in his defense, except that he “stopped hexing people for fun. ” This is damning with faint praise. The defenses they offer are laughable: “I wouldn’t like you to judge your father on what you saw there, Harry. He was only fifteen — ” “ I’m fifteen! ” said Harry heatedly. Harry knows 15 is old enough to know better. So do the Centaurs: “They brought her here, Ronan, ” replied the centaur who had such a firm grip on Harry. “And they are not so young... He is nearing manhood, this one. ” Moving on: “Look, Harry, ” said Sirius placatingly, “James and Snape hated each other from the moment they set eyes on each other, it was just one of those things, you can understand that, can’t you? I think James was everything Snape wanted to be — he was popular, he was good at Quidditch, good at pretty much everything. And Snape was just this little oddball who was up to his eyes in the Dark Arts and James — whatever else he may have appeared to you, Harry — always hated the Dark Arts. ” “Yeah, ” said Harry, “ but he just attacked Snape for no good reason, just because — well, just because you said you were bored. ” Sirius is either lying or misremembering: we know James and Snape didn’t hate each other from the first moment for no reason, but because James and Sirius antagonized Snape. Also, why would Snape’s supposed jealousy of James contribute to James feeling so inferior compared to Snape, that he’d treat him like that? According to JKR, it was James who was jealous of Snape, over Lily. Given that Sirius is blatantly wrong, there is no reason to believe the Dark Arts had anything to do with it. It reads like an attempt to move the conversation to more comfortable territory, and is extremely hypocritical: James didn’t pretend he was being righteous in real time and neither did Sirius. They set a werewolf loose on Hogsmeade and used an illegal hex (i. e., Dark Magic) on Bertram Aubrey, so James didn't hate the Dark Arts this much; the dichotomy between Dark and legitimate magic reads as arbitrary nonsense at best and self-serving at worst, and I’ll forever maintain that using Scourgify on a person is extremely violent, "Dark" or not. If James had a problem with Snape's brand of magic, why did he use a spell Snape invented? Harry recognizes that this is irrelevant. The defense campaign ends with: “Look, ” he said, “your father was the best friend I [Sirius] ever had, and he was a good person. A lot of people are idiots at the age of fifteen. He grew out of it. ” “ Yeah, okay, ” said Harry heavily. “ I just never thought I’d feel sorry for Snape. ” To me, this reads like: “Look, ” he said, “I am extremely biased and I miss your father and this conversation is making me uncomfortable. Your father was an idiot and eventually he stopped, that’s all I actually have to say in his defense. “ I just never thought I’d feel sorry for the person I hate, who treats me like total shit, my dad was really bad! ” Also, Sirius never grew out of it, and he was OK with it in the first place, so his opinion doesn’t count. At 15, Harry is more mature than him, and he is unconvinced. In one of the last interactions between Snape and Sirius (OOTP:24), Sirius still calls him Snivellus, by calling him “Lucius’s lapdog”, he's possibly suggesting something very unsavory, he’s the first to raise his wand. Harry is the one who tries to defuse the situation. Snape’s behavior is cringe-worthy too, but he is giving Sirius life-saving information: His dog cover’s been blown. He is being protective, in his trademark snarky way. Note that Sirius has yet to apologize for the attempted murder, or for anything else. This isn’t somebody who knows anything about growing up, so his opinion can be dismissed. The same goes for Lupin, who has a lifelong pattern of letting his desire to be accepted get the better of him. To quote JKR, this was relentless bullying. Downplaying, whitewashing, excusing, and blaming the victim for it, is sickening.
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Honestly, did the screenwriter even read Little Women.
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